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作为抗战文学乃至中国近现代文学的丰碑,《四世同堂》通过对老北京市民形象的剖析,深刻地揭示了当时的国民特质。作者以“笔尖上能滴出血与泪”的艺术风格,向我们描述了战争年代平民生活的真实图景,反映了战争背后所体现的人性。
As a monument to the anti-war literature and even modern Chinese literature, “Four Generations” profoundly revealed the national characteristics of the time by analyzing the image of the old Beijing citizens. The author described the true picture of civilian life in the war years and reflected the humanity embodied behind the war with his art style of “bleeding and tears on the pen tip.”