美国当代著名的女作家和诗歌评论家玛乔瑞.帕洛夫对纽约派诗人弗兰克.奥哈拉深入细致的研究表明,奥哈拉是二战后占据重要地位的诗人和视觉艺术评论家。在其短暂的人生历程和创作生涯中,奥哈拉集众家之长,独树一帜,摒弃美国当时已然失去生命力的陈旧诗歌传统,将诗歌、音乐、绘画完美地融入其诗歌创作中,产生了奇特的效应,影响了一代又一代的诗人和文学爱好者,为美国乃至全世界的诗歌艺术做出了卓越的贡献。本文以帕洛夫的著作《弗兰克.奥哈拉:画家中的诗人》为依托,论述奥哈拉诗歌、绘画、音乐完美融合的艺术人生。 The in-depth and meticulous study of New York school poet Frank O’Hara by Macquarie Paroff, a well-known contemporary American woman writer and poet critic, shows that O’Hara was an important poet and visual artist after World War II. In his short life course and his creative career, O’Hara collected many famous experts from all walks of life to abandon the outmoded old poetry tradition of the United States at that time, integrating poetry, music and painting perfectly into his poetry creation. Influence the generation after generation of poets and literary lovers, and made outstanding contributions to the poetry art in the United States and the world. Based on the writings of Frankel O’Hara, the poet in the painter, this article discusses the artistic life in which O’Hara poems, paintings and music are perfectly integrated.