一纵观二十世纪九十年代以来中国文学的叙事走向和叙述追求,谁都不会怀疑这是身处一个消费时代的写作场景,商业化、欲望化、时尚化、器物化都被捆绑于以“消费”为轴心的叙事链条上,人与人,事与事,你和我,我和他(她),这种人类社会的关系纽带都身负这种经济利益关系,这种关系结? Looking at the narrative direction and narrative pursuit of Chinese literature since the 1990s, no one doubts that this is a writing scene in a consumption era. Commercialization, desire, fashion and materialization are all tied to The relationship between people, things and things, you and me, myself and myself (herself), the human society, the link of this narrative that takes “consumption” as the center all bear such economic interest relations Knot?