陈文令的第一个工作室是厦门海边一个造船厂废弃的小杂物房。当时陈文令只有二十出头,总是站在这20平米不到的小屋子台阶上,随时准备跳下去游个泳,再转身回屋里刻木雕。那是1994年。这间小房子很快拆掉了,陈文令干脆就在大树下露天做起作品。厦门的四季都是阳光明媚的好天气,大树的浓荫足够遮挡风雨,他在树下一呆就是好几年。 Chen Wenling’s first studio was a small utility room abandoned by a shipyard in Xiamen. At that time, Chen Wenling was only in her early twenties and always stood on the steps of a small house of less than 20 square meters. She was ready to jump and swim and then turned back to carving wood carvings. That is 1994. The little house was quickly demolished, and Chen Wenling made his work openly under the big tree. All seasons in Xiamen are sunny and good weather. The thick shade of the trees is enough to cover up the wind and rain. He stays in the tree for several years.