如果说身份同个人记忆经常保留着某种程度的统一性的话,那么,阳江组在“唐人”呈现的《今日猛于虎Ⅱ》,则让人堕入个人身份与历史记忆之间的错位关系中。进入展厅,人们看到的是已经被石蜡浇注定型的“现场”。代表古代文人风骨的青松蜿蜒林立于鹅卵石地面之上,大厅中间摆着两桌饕餮狂饮之后的杯盘狼藉。展览开幕的前一晚,艺术家同他们的朋友们在此吃喝赌球,据说输了很多钱。大厅的墙面上挂着艺术家们用树枝、油彩等工具书写的书法,写着赌球的各类知 If identities and personal memories often retain some degree of unity, then the “fierce tiger II today” presented by the Yang River in the “Tang Dynasty” puts people in a position of personal identity and historical memory Dislocation relationship. Into the exhibition hall, people see has been paraffin casting stereotypes “site ”. On behalf of the ancient literati Fengshen pine winding forest on the cobblestones in the middle of the hall with two tables gluttonous after drinking cup and saber. The night before the opening of the exhibition, artists and their friends ate and gambled here and said they lost a lot of money. Hanging on the wall of the hall artists calligraphy with twigs, paints and other tools, all kinds of gambling notes