儒家诗学并非政治伦理诗学的代称。它的文学艺术观念成熟得很早,在先秦时期就围绕着大自然的花草树木,构建了一套人的情感抒发要与大自然的内在韵律相一致的诗学理念,并在此基础上形成了一套以景驭情的创作范式,开启了此后中国诗学理论中所反复谈及的“情”“景”之关系的先河。本文试图以儒家文学经典的《诗》和儒家诗学的奠基人孔子对《诗》的解说为例,说明儒家诗学在先秦时期就形成了以景驭情的表达范式。 Confucian poetics is not the generation of political ethics poetics. Its concept of literature and art matured very early. In the pre-Qin period, it embraced the trees and flowers of nature and constructed a set of poetic concepts that human emotions express and consistent with the inherent rhythm of nature. On the basis of this, A set of creative paradigm of King Yu Jingqing opened the precedent for the relationship between “love” and “scenery” that have been repeatedly mentioned in Chinese poetics theory since then. This paper tries to take Confucian literature classic “poem” and Confucian poetics founder Confucius’ explanation of “poem” as an example to show that Confucian poetics formed the express paradigm of Jing Yu in the pre-Qin period.