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美点赏析《壶碎》这样具有极大冲击力的小说,现在已经极为罕见了。李敬泽说过:“浮躁”不仅是指作家被市场所诱惑、被“出名”所诱惑,更致命的是,作家沉溺于表面经验,陷于认识上的“瘫痪”。直言自己越来越喜欢读那些能够对阅读和智商形成挑战的“刺激”的作品。《壶碎》正是他创作理论的具象化,而达到挑战“刺激”的艺术手法,就是“留白”。㈠虚化的人物,更具典型性。
It is now extremely rare that the United States has appreciated such powerful novels as “The Broken Pot”. Li Jingze said: “Impression” refers not only to the temptation of the writer by the market, but also to the temptation of being famous. The more deadly thing is that the writer Shen Yu is superficially experienced and trapped in the know-how. Frankly speaking, he is more and more interested in reading “stimulus” that can challenge reading and IQ. “Crushing” is the embodiment of his creative theory, and the artistic means to achieve the challenge “stimulus” is “white”. (1) The blurred figures are more typical.