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20世纪60年代末,格赖斯在“逻辑与会话”一文中提出的合作原则被广泛研究在不同的文本和会话场合。根据陈新仁,合作原则的违反分为两个方面:表面不合作和实质不合作(陈新仁,2000)。表面不合作是交际者用来表达特定语用意义的一种策略,在电影中有着很好的体现。本文意在通过对影片中的三个场景的分析来探讨发生在人物间的表面不合作会话对影片《大红灯笼高高挂》的主题凸显和影片制作人如何通过设计表面不合作的台词来向观众传达了导演的创作风格和影片主题。
In the late 1960s, the principles of cooperation Grice proposed in his article “Logic and Conversation” were widely studied in different texts and conversational occasions. According to Chen Xinren, the violation of the principle of cooperation is divided into two aspects: non-cooperation on the one hand and non-cooperation on the other (Chen Xin-ren, 2000). Non-cooperation on the surface is a tactic used by communicators to express specific pragmatic meanings and has a good embodiment in the movie. This article intends to explore the three scenes in the film to analyze the surface non-cooperation between the characters dialogue on the theme of the movie “Raise the Red Lantern,” highlights and how the filmmaker through the design of the surface of non-cooperation lines The audience conveyed the director’s creative style and video theme.