近年来的大小展览有一个共同且普遍的特点:小幅油画很难见到,随着社会的发展与人们审美的变化,诸多超大幅油画作品逐渐占据了主导地位。但从内容和形式上看,大幅油画作品的“假、大、空”现象泛滥,艺术精神有所缺失,与小幅油画精美丰富的内容形成了鲜明的对比。小幅油画应成为中国当代油画不可或缺的一部分。 In recent years the size of the exhibition has a common and universal characteristics: a small oil painting is difficult to see, with the development of society and people’s aesthetic changes, many super large paintings gradually occupy a dominant position. However, in terms of content and form, the phenomenon of “false, big and empty” in large-scale oil painting works is flooding and there is a lack of artistic spirit. In sharp contrast with the small and exquisitely rich and exquisite content of oil painting. Small paintings should become an integral part of contemporary Chinese painting.