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文章以《小草斋集》30卷、《文海披沙》8卷、《五杂俎》16卷为研究对象,从中搜寻整理谢肇淛有关戏曲方面的评论12条,从其乐与政的关系、戏曲的教化功能、戏曲的真实性与虚构性三个方面对其戏曲理论加以分析。目前,学界尚无对谢肇淛戏曲理论研究的文章,而谢肇淛存留作品丰富很有研究价值,由于个别资料的缺乏,文章所引部分略显单薄,以此希望对谢肇淛研究的深入提供参考。
In this article, we take “Liaozhaizhai” 30 volumes, “Wenhaipisha” 8 volumes and “Wuzuozuo” 16 volumes as the research object, from which we can search Xie Zhaoshe’s 12 comments on opera, from the relationship between the music and politics, The educational function, the authenticity of the drama and fictional three aspects of its theory of drama to be analyzed. At present, there is no essay on the study of Xie Zhaozhe’s theory of opera in the academic circles. However, Xie Zhaozhao’s works are very rich in researching value. Due to the lack of individual information, the part of the essay is a little bit thin, hoping to provide a reference for the further research on Xie Zhaozhe.