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在许多演出与实践中,演奏者经常选用钢琴作为器乐演奏中伴奏的一部分,钢琴在演奏过程中也相应承担着其它乐器所要担负的责任,这就需要适当地进行音色处理及调整。了解钢琴音色处理的方式与技巧,对乐队伴奏器乐音色的模仿,或者是对线条层次及声部立体感的重新塑造都考验着演奏者的演奏技巧与能力。本文将对器乐伴奏中钢琴音色的处理进行研究,对其处理方式、处理中需要具备的能力与素质以及成为一名优秀伴奏者的要素进行梳理分析,希望对钢琴伴奏中音色处理的研究贡献一份力量。
In many performances and practices, the performer often chooses the piano as part of the accompaniment of the instrumental music, and the piano plays the corresponding responsibility of other instruments during the performance. Therefore, the sound processing and adjustment needs to be properly performed. Understanding the ways and techniques of piano timbre processing, the imitation of the band accompaniment instrument timbre, or the reshaping of the line level and the vocal three-dimensional sense all test the performer’s playing skills and abilities. In this paper, the piano sound processing in instrumental accompaniment will be studied, and its processing methods, the required ability and quality in processing and the elements of becoming an outstanding accompanist will be analyzed and analyzed. I hope to contribute to the study of the sound processing in piano accompaniment Share the power.