透明的阳光、纯兰的天空、绿树、红土、缤纷的服装、银佩金饰、神秘的祭鬼、祭神、为欢乐爱情且歌且舞的节日……这些使人感受单纯生命意识而又沈醉于幻化纷繁形式感中的因素,造就了云南现代重彩画,可以说,云南现代重彩画,是云南这块土地极恰当自然的产物。当初,两位从北京到云南的美术青年蒋锋峰、丁绍光,未曾意料到云南的这些“土产”会给他们带来极大的声誉和财富。他们只是惊异地感到云南的太阳、山峦、土地、异彩的文化无法用任何一种已有的美术样式来呈现。在举国旋转在红色风暴中的时候,他们沉迷在对形式美感的探索中,沉迷在线条、色彩组成的世界里,逐渐地,云南的丛树、少女、太阳、植物被优美抒情的线条缚住了,这线条在画家 Transparent sunshine, pure blue sky, green trees, laterites, colorful costumes, silver Pei Jin, mysterious sacrificial ghosts, worship God, for the joy of love and songs and dance festival ... ... these people feel a simple sense of life Indulge in the illusion of a variety of factors in the form factor, created a modern heavy painting in Yunnan Province, it can be said that modern heavy painting Yunnan, Yunnan is very suitable for this piece of land product of nature. Originally, two art youths from Beijing to Yunnan, Jiang Fengfeng and Ding Shaoguang, had never expected that these “indigenous products” in Yunnan would bring great reputations and wealth to them. They are only amazed at the fact that Yunnan’s sun, mountains, land and splendid culture can not be represented by any existing art style. As the country rotates in the red storm, they indulge in the exploration of formal beauty, indulging in a world of lines and colors, and gradually, Yunnan’s clump trees, maiden, sun and plants are lined with graceful lyric lines And this line is in painter