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我国古代文学批评的诗歌声律观有一个从“自然”到“自觉”的过程。钟嵘在诗歌声律问题“自觉化”的大背景下提出“自然声律”论,反对四声八病说,坚持了一种“自然”的立场。他的“自然声律”论告诫五言诗的创作者和欣赏者们要冷静地看待文学声律,重视诗歌的内在美,但也忽视了文学形式的重要性。
The theory of rhythm of poetry in ancient Chinese literary criticism has a process from “natural” to “conscious”. Zhong Rong put forward the theory of “natural acuity” under the background of poetry phonetic problem “self-consciousness ”, opposed the four-sounding illness and insisted on a “natural ” position. His theory of “natural sound law” warned creators and admirers of the five-character poetry to treat the literary temperament calmly and pay attention to the inherent beauty of poetry, but also neglected the importance of literary form.