卡尔维诺将博尔赫斯的创作奉为经典,同时在美国诺顿讲座中多次示意对博尔赫斯的偏爱。同样作为二十世纪的当代作家,二人感受着同样的时代,热衷于虚构,国内外批评家常常将他们一并提及,足以见得二人创作上的可比度。因此本文立足二人的创作,在比较视域中分析卡尔维诺是怎样将博尔赫斯虚构的小说变为真实,同时在二人同样热衷的迷宫上,两位作家的应对策略。 Calvino regarded Borges’s creation as a classic, while repeatedly showing his preference for Borges in Norton’s lecture in the United States. Also as contemporary writers of the twentieth century, two people felt the same era, keen on fiction, and critics both at home and abroad often mentioned them together enough to see the comparability of the two. Therefore, based on the creation of two people, this article analyzes in a comparative perspective how Calvino transformed the fiction of Borges into reality while coping with the two writers on the same labyrinthine duo.