南宋词,晚唐诗。都是我极喜爱的。而南宋词人里,姜白石的词风“清空峻拔,如野云孤飞,去留无踪。”姜词大抵是清空、幽闲、随意、雅致、哀伤、深情的。我觉得,从某种意义上来说,鄞珊的画,有与姜词意境相通之处。清空、幽闲、随意、雅致、哀伤、深情。此十二字,我觉得差不多是鄞珊的绘画追求。读过她的一些散文和小说,她的文风,与她的画风相似。也是清空雅致而不泛深情的。我第一次见到鄞珊的画,画是工笔,题材也是以兰为主。这应该是鄞珊早一阶段的画。她的工笔兰花,有着很鲜明的个性。她的线描能力很强,长线条劲道十足而又温婉内敛,没有相当的书法功底,没有下过一番苦功夫,是很难做到的。她的书法练的是瘦金体,与她的画风很和谐。相比对她线描能力的惊讶,我觉得她的工笔兰花较为突出 Southern Song poetry, late Tang poetry. I love it all. The Southern Song Dynasty Ci, Jiang Baishi’s style of writing “emptied Jun pull, such as wild cloud solitary fly, go without a trace. ” Ginger words are emptied, leisure, casual, elegant, sad, affectionate. I think, in a sense, Yin Shan’s painting has the same artistic conception with Jiang Ci. Empty, quiet, casual, elegant, sad, affectionate. This twelve word, I think almost Yin Shan’s pursuit of painting. Read some of her essays and novels, her writing style, and her style of painting is similar. It is also clear and elegant without extensive affection. The first time I saw Yin Shan’s paintings, the painting is a masterpiece, the subject matter is mainly blue. This should be Yin Shan early stage painting. Her signature orchid, has a very distinct personality. Her line drawing ability is very strong, long lines are full and gentle Wen restrained, there is no equivalent of calligraphy skills, did not go through a lot of hard work, it is difficult to do. Her calligraphy practice is thin gold, and her style is very harmonious. Compared to her ability to line drawing astonishment, I think her more prominent orchids