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以“坚持乡土文学创作和现实主义风格”来评价刘醒龙,似乎是一个习以为常的观念。无论是《威风凛凛》、《弥天》、《燕子红》,还是《圣天门口》、《天行者》,强烈的问题意识和社会责任感驱使作者在作品中对处于波动、转型期的多元社会进行揭露和评价。但2014年《蟠虺》的问世则改变了读者对刘醒龙小说的惯性思维认知。他继书写乡村教师这一平凡知识分子形象后首次涉及了高级知识分子的学术领域,更将创作指向常人相对神秘而又陌生的青铜文物重器研究,带来了
It seems to be a common idea to evaluate Liu Xinglong with “insisting on local literary creation and realism style”. Whether it is “majestic”, “Mi Tian”, “Swallow Red”, or “Shengtian Menkou”, “Skywalker”, a strong sense of problem and social responsibility led the author in the work of the volatile and transitional pluralist society Uncover and evaluate. However, the advent of “Panpan” in 2014 has changed readers’ understanding of the inertia of Liu Xinglong’s novels. After writing the image of an ordinary intellectual as a village teacher, he first touched upon the academic fields of advanced intellectuals and even introduced the relatively mysterious and unfamiliar bronze artefacts of ordinary people.