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衬词在台湾少数民族音乐的歌词中,相对于实词常被视为‘无意义的虚词’。因此,从早期日本音乐学者黑泽隆潮到台湾音乐学者吕炳川、许常惠,都未曾针对此课题有深入的探讨。本文从祭仪音乐文化调查过程中,在建构神灵空间的启发下,开始探讨祭仪音乐中的衬词,尝试诠释衬词在祭仪音乐所呈现的文化意义。
In the lyrics of Taiwanese minority music, it is often regarded as a meaningless function word relative to real words. Therefore, from the early Japanese musicologist Kurosawa to the tunes of Taiwanese musicians Lv Bingchuan and Xu Changhui, none of them discussed this issue in depth. Inspired by the construction of the spirits of gods, this essay begins with the investigation of ritual music in the process of the investigation of the ritual music culture, and begins to explore the liling words in the ritual music, trying to interpret the cultural significance of the ruling words in ritual music.