从20世纪20年代俄国形式主义提出“文学性”问题之后,得到了英美新批评派、法国结构主义等学术派别的声.和发展。在近100年后的今天,作为探索文学本质的一条重要途径,“文学性”问题研究仍是一个热门话题。作为中国古代文论中极具民族特色的意境论,千百年来,同样得到了后人的理论加工和拓展。本文通过总结和吸收前人关于“文学性”和意境论的研究成果,找出两者相通之处,并从“意境”特征出发对“文学性”研究提供有意义的启示。 From the question of “literary nature” put forward by Russian formalism in the 1920s, it gained the sound and development of the academic factions like the new Anglo-American criticism and French structuralism. Today, nearly 100 years later, as an important way to explore the nature of literature, the study of the issue of “literary” is still a hot topic. As China’s ancient literary theory with great national characteristics of the artistic conception, for thousands of years, the same has been the theoretical processing and development of future generations. By summarizing and amending the research results of predecessors on “literary ” and artistic conception, the paper finds out the similarities between the two and provides meaningful meaning for “literary ” research from "artistic conception Inspiration.