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欧·亨利作为短篇小说巨匠,以其幽默的创作态度、广泛的创作内容、出人意料的结尾模式,享誉世界文坛近百年。欧氏作品突出的戏剧性、复杂的创作理念和强烈的自传色彩,构成了欧·亨利短片小说独特的魅力。一、戏剧对话与小说叙事的完美融合欧·亨利小说中,除记叙性话语之外,用大量的对话来表达,而极少进行心理描写。这与欧·亨利小说中重情节不无关系。例如《菲比》《经理人材》《大康纳岛》和《萨尔瓦多的七月四日》,全篇通过“我”与其他人的对话,借助他人之口来讲故事。此外,在诸如《留声机与把戏》《艺术大师》《二十年后》和《双料骗子》中,作者退居幕后,依靠若干人的对话来呈现小说,并将叙述完全转移到
As a short story master, O. Henry, with his humorous writing attitude, extensive creative content and unexpected ending mode, enjoys a world reputation for nearly a century. The prominent dramatic and complex creative ideas and strong autobiographical features of the Euclidean works constitute the unique charm of the European and European short film novel. A perfect blend of dramatic dialogue and fiction narrative In the European and Henry fiction, in addition to narrative discourse, the use of a large number of dialogue to express, and very little psychological description. It is not unrelated to the heavy plot in O. Henry’s novels. For example, “Phoebe”, “manager”, “Grand Conner Island” and “El Salvador’s July 4”, all through the “I ” dialogue with other people, with the mouth of others to tell the story. In addition, in such works as “Gramophone and Trick”, “The Master of Arts,” “Twenty Years Later,” and “Double Crook,” the author retreated behind the scenes, relied on the dialogue of several people to present the novel and completely shifted the narration to