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明代画院虽然延续宋代大概建制,吸收元代民间力量重组,但在二百多年的过程中一直处于“权且”状态,没有完全明确官方对于画院的制度确立。这样的政府态度和建制特征造成了很多史实的模糊,当然也为美术史研究提供了非常有趣的领域。对于明代三大殿的使用研究,便是从侧面窥看整个画院体系的运营状态,是对明代画院的基本认识。
Although the continuation of the Ming Dynasty Academy of Songs probably established, absorbing the reorganization of civil power in the Yuan Dynasty, but in the process of two hundred years has been in the “right and” state, did not fully clear the official establishment of the academy. Such government attitudes and constitutional features have caused a lot of vague historical facts and certainly provide very interesting areas for the study of art history. The research on the use of the three dynasties in the Ming Dynasty is a peek at the operation status of the whole painting academy from the side and is the basic understanding of the Ming dynasty painters.