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中国书画的材料和笔墨语言之间存在着紧密而特殊的关系。本期延续[案边点滴]栏目对于与艺术家的创作密切相关问题的思考这一宗旨,将“加工纸”作为探讨的主题。栏目专门邀请了古纸研究专家樊嘉璐先生参与讨论,他对“原抄纸”、“传统加工纸”、“加工纸”等概念及相关问题进行了辨析和阐释。十几年来一直从事传统加工纸复制和研究工作的刘靖先生则为我们介绍了目前安徽宣纸生产的整体状况和传统加工纸的特点。我们还特地邀请了具有鲜明艺术风格的王镛先生和徐利明先生参与讨论,围绕着材料和语言的关系及当代书画创作中对于加工纸的使用等问题,他们从不同的角度述说了各自的实践体会和艺术见解。艺术创作不只是一种与艺术家相关涉的个体行为,某种程度上,它也可以理解为一种需要整体推进和提升的文化氛围。相信这篇收纳了不同领域声音的访稿将为我们反思艺术创作中的问题提供一些帮助。
There is a close and special relationship between the materials of Chinese calligraphy and painting and the language of pen and ink. This issue continuation of [case dribs and drabs] column For the purpose of thinking with the artists closely related to the creation of this purpose, “processing paper ” as the theme of the discussion. Column specifically invited the ancient paper research expert Mr. Fan Jialu to participate in the discussion, he on the “original paper”, “traditional paper”, “paper” and other concepts and related issues were analyzed and explained. Mr. Liu Jing, who has been engaged in the work of copying and researching traditional processing paper for more than a decade, introduced the overall status of the current production of rice paper in Anhui Province and the characteristics of the traditional processing paper. We also specially invited Mr. Wang Kui and Mr. Xu Liming, who have distinctive artistic styles, to participate in the discussion. They talked about their own practice from different perspectives, focusing on the relationship between materials and language and the use of processed paper in contemporary painting and calligraphy Experience and artistic insights. Artistic creation is not just an individual behavior related to the artist, but it can also be understood as a kind of cultural atmosphere that needs to be promoted and promoted as a whole. I believe this interview incorporating different voices in different fields will help us to reflect on the problems in the art creation.