我国的纪录片,几十年来一直沿用的是画面加解说的模式。《望长城》的出现,打破了由一种模式统一天下的局面,使我国的纪录片开始进入一个新的多元的时期。《望长城》被人称做纪实性纪录片,用意是为了与过去的那种“说主题”的纪录片区别开来。纪实,就是记录现实。它表明在创作中要把客观现实放在至上的位置。当今,能叫做纪实性纪录片的,大概有两大流派:法国的真实电 Our documentary, which has been used for decades, is a picture-plus-interpretation model. The emergence of “The Great Wall of Hope” broke the unification of the world by one model and made our documentary a new pluralistic period. “The Great Wall of Hope” is called a documentary documentary in order to distinguish it from the “theme-themed” documentary of the past. Documentary, is to record the reality. It shows that objective reality should be placed in the highest position in the creation. Today, there are about two genres that can be called documentary documentaries: real electricity in France