由于历史原因,以往对三弦的演奏理论研究只集中在民间说唱音乐的伴奏方面,很少考察流行于文人雅士和宫廷王府的弦索乐风格的三弦演奏理论。与一般民间曲艺中的三弦演奏相比,流传于民间的河南大调曲子三弦在演奏风格上却一直保持着自己“雅”的特征,在演奏技法上以追求神韵为主。 Due to historical reasons, the previous studies on the performance of sanxian concentrate only on the accompaniment of folk rap music, and seldom examine the soprano playing theory that is popular in the literati and imperial palace. Compared with the general folk trifles in Sanxian playing, popular in Henan folk song Sanxian in playing style has always maintained its own “elegant” features, in the playing technique to the pursuit of charm based.