论文部分内容阅读
这以后的两年,他没有出作品,到1959年他拿出了一部《第二交响乐》(作品第四十三号来)。这部献给国庆十周年的交响乐描写了中国人民经过无数次的起义斗争到最后取得胜利。一共四个乐章,一,快板,二、慢板,三、快板,四、终曲;但不问断,一气演完。这部交响乐当年由他自己指挥在中央乐团演出,还灌了唱片,我现在还保存着这张唱片。然后到了1960年,他完成一部《A大调大提琴协奏曲》(作品第四十四号)却就从此沉默了。这第二阶段里,他共创作了二十二号作品。他沉默了十年之久。为什么我们的音乐家沉默了这么长的时间?沉默了,就无法知道为什么。如果能够回答,他就不会沉默。但是后来我们不也是一样,沉默了十年之久吗?基本上是一样的原因,不过他比我们大家更敏锐地感觉到了有沉默的必要。他比我们早了五年,可也不能搭救他。
After this two years, he did not work out, and in 1959 he took out a “second symphony” (the work of the 43rd). This symphony, dedicated to the tenth anniversary of the National Day, describes the Chinese people’s victory in numerous final stages of the uprising afterwards. A total of four movements, Allegro, Second, Adagio, Third, Allegro, Fourth, the finale; This symphony performed by the Central Philharmonic Orchestra himself during that year, but also poured the record, I still save this record. Then in 1960, he completed a “Cello Concerto in A Major” (number 44) but was silent. In this second phase, he co-created the twenty-two works. He was silent for ten years. Why are our musicians silent for such a long time? Silence, you can not know why. If you can answer, he will not be silent. But then we are not the same, silent for ten years? Basically for the same reason, but he is more sensitive than we all felt the need for silence. He can not save him five years earlier than us.