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年纪不过三十出头,浑身充满书卷气息的陈建骐,淡江大学会计系的学历出身。再加上自称源于一个“没有音乐的家庭”背景,实在难以想像他是台湾当今最炙手可热的剧场音乐创作人。陈建骐在音乐方面的才能和成绩似乎可以拉出很长一个单子,陈绮贞代表作《花的姿态》《太多》的编曲;陈珊妮《美中毒》演唱会、陈绮贞《花的姿态》演唱会部分编曲和键盘手;与剧场人李焕雄、林奕华、几米合作的剧场配乐,以及电影《刺青》、《十七岁的天空》,《花吃了那女孩》等电影配乐。在陈建骐的音乐里听不到大悲大喜,也很少有单纯的情歌创作,有的仅
In his early thirties, full of book atmosphere Chen Jian Qi, Tamkang University accounting department of academic background. Coupled with the background of claiming to be “a family without music”, it is hard to imagine that he is the hottest theater music producer in Taiwan today. Chen Jian Qi’s talent and achievements in music seems to be able to pull out a long list, Cheer Chen representative “flower gesture” “too much” arranger; Chen Shanni “poisoning” concert, Cheer Chen “flower gesture” concert part Songwriter and keyboardist; with the theater people Li Huanxiong, Edward Lam, a few meters of theater soundtrack, and the movie “tattoo”, “seventeen sky”, “flowers eat the girl” and other soundtracks. In Chen Jianqi’s music can not hear compassion, but also very simple love song creation, and some only