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记得很小的时候,我背着烧火棍在外婆家的墙上涂鸦,涂得很开心很陶醉,时而还有人表扬我,就是这一种涂鸦的自我陶醉使我考进了美术学院。自那以后就学习解剖、透视、笔墨、色彩,懂得了绘画的功能和责任。儿时的放任受到了压制。几十年过去了,我在艺术上走着一条弯弯曲曲的路,在我的成长道路上,每个时期都会遇到几个手把手教我的恩师,如郦志禹、赖一匡、王庆明、李长白、顾生岳、李震坚、方增先、舒传曦、童中焘、孔仲起、陆俨少、朱伯雄、王伯敏、潘天寿、刘苇、刘勃舒等,这是我的幸运,我永远感谢他们。
I remember very young when I was carrying a burning stick in the graffiti on the grandmother’s wall, very happy to be very intoxicated, and sometimes others praise me, that is, a graffiti self intoxicated me admitted to the Academy of Fine Arts. Since then, he has studied anatomy, perspective, ink and color, and learned the functions and responsibilities of painting. Childhood laissez-faire has been suppressed. Decades later, I walked artfully on a winding road. On my path to growth, I met several mentors at every time, such as Chi Yu, Lai Yi Kuang, Wang Qingming, Li Changbai, Gu Shengyue, Li Zhenjian, Fang Zengxian, Shu Chuanxi, Tong Zhongyi, Kong Zhongqi, Lu Yanshao, Zhu Boxiong, Wang Boyin, Pan Tianshou, Liu Wei and Liu Boshu, etc. It is my fortune and I will always thank them.