论文部分内容阅读
传统“曲式学”及在此基础上发展来的“曲式与作品分析”课程是内蒙古地区音乐类专业学生的必修课程之一。随着专业音乐创作与表演的民族化意识日渐强大,民族风格的作品分析与讲授与民族音乐创作和表演并未能充分匹配,曲式课的教学面临着理论、实践、内容等多方面的挑战,以原有的曲式理论构架为基础,适度增加对蒙古族风格创作作品的分析是十分必要的。
Tradition “Form Learning ” and the “Form and Composition Analysis ” course developed from it are one of the compulsory courses for music majors in Inner Mongolia. With the nationalization of professional music creation and performance becoming more and more powerful, the analysis and teaching of national style works and the creation and performance of national music have not been fully matched. The teaching of curved courses is faced with many challenges such as theory, practice and content , Based on the original theory of music theory, it is necessary to appropriately increase the analysis of Mongolian-style creative works.