自从禅宗与美学结合在一起,产生了众多美学范畴,其中“空灵”、“恬淡”的概念最为人所熟知和接受。禅宗上所讲的“空”和道家所追求的“无”很相近,在某些方面可以说是对“无”的补充,也可以说是“超越”。禅宗的出现,不仅为中国文化注入了新鲜的血液,也给当时艺术创造、艺术观念带来了全新的变化。 Since the combination of Zen Buddhism and aesthetics, many aesthetic categories have emerged. Among them, the concept of “ethereal” and “tranquil” is the most familiar and accepted. What Zen said about “emptyness” is similar to Taoism’s pursuit of “nothingness” and can in some ways be complementary to “nothingness” or “beyond”. The emergence of Zen not only brought fresh blood to Chinese culture, but also brought new changes to the artistic creation and artistic concept of the time.