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去夏回国前二月,巴黎L’Art Vivant杂志编辑Fels君,嘱撰于中国现代艺术之论文,为九月份(一九三一)该杂志发刊“中国美术专号”之用,因草此篇以应。兹复根据法文稿译出,以就正于本刊读者。原题为La Crise de L’Art Chinois Moderne。附注亦悉存其旧,并此附志。现代中国的一切活动现象,都给恐慌笼罩住了:政治恐慌,经济恐慌,艺术恐慌。而且在迎着西方的潮流激荡的时候,如果中国还是在他古老的面
Before returning to summer in summer, Fels Jun, editor of L’Art Vivant magazine in Paris, wrote an essay on modern Chinese art for the publication of this magazine in September (1931), “China Art No.”, Due to the grass should be. It is hereby translated according to French law, in order to just readers. The original title is La Crise de L’Art Chinois Moderne. The notes also keep their old, and this attachment. All the activities of modern China have shielded the panic: political panic, economic panic, and artistic panic. And in the face of the tidal wave of the West, if China is still in his ancient face