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乾降时期的珐琅彩瓷器乾隆时期珐琅彩瓷器的艺术水准总的来说要逊于雍正时期。从档案记载来看,这或许与造办处珐琅作内人员更替和缺乏有关。另外,与雍正、乾隆两朝皇帝审美趣味的差别也有密切关系。据造办处档案记载,“乾隆元年三月十五日,首领吴书来说:乾清宫总管苏培盛等交小太监四名,何德禄、王成祥、杨加福、魏喜。传旨:着给珐琅处学烧珐琅。钦此。”“乾隆元年四月十四日,催总默尔参峨为画珐琅人不足用,另欲将画珐琅
Drying period of enamel porcelain Qianlong period enamel porcelain art level generally better than the Yongzheng period. Records from the file point of view, which may be made with the Office of enamel replacement and lack of personnel. In addition, there is a close relationship between the aesthetic taste of the emperors of Yongzheng and Qianlong. According to the archives of the founding office, ”On the fifteenth day of the first year of Emperor Qianlong, leader Wu Shu said: Four Superintendents, such as Su Peisheng, governor of the Qing Qing Palace, delivered four eunuchs, He Delu, Wang Chengxiang, Yang Jiafu and Wei Xi. Learn to enamel Qin Chin this “” On April 14, the first year of Emperor Qianlong, urging Commel to participate in the Emei painting for the enamel is not enough, another desire to paint enamel