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随着舞台灯光艺术和技术的不断发展,舞台灯光在戏剧演出中的作用越来越重要。通过灯光的艺术处理可以创造出不同形式的动态变化,赋予不同布景以个性化的造型特征,改变布景材料的质感,使之焕发出新的生命力;同时可以进一步深入挖掘舞台美术的内涵,表现戏剧人物的情绪和情感等。由于舞台灯光的从属性质,要实现其作用离不开灯光设计者对舞台空间结构的充分认识和运用,及其对戏剧文本的深入解读,并与导演、表演等相关部门配合,才能创造出符合戏剧情境的灯光效果。文章从虚与实的角度出发,结合中央戏剧学院青年教师版话剧《樱桃园》,探讨舞台灯光的艺术化创作之路。
As the stage lighting art and technology continue to evolve, the role of stage lighting in theatrical performances is increasingly important. Through the light of the artistic treatment can create different forms of dynamic changes, giving different sets of personalized modeling features, change the texture of the material set to make it glow new vitality; the same time can further dig the meaning of stage art, the performance of drama People’s emotions and emotions. Due to the subordinate nature of the stage lighting, its function can not be separated from the full understanding and application of lighting designers on the stage space structure, as well as its in-depth interpretation of drama texts and cooperation with relevant departments such as directors and performances to create Light effects for dramatic situations. From the perspective of virtuality and reality, the article explores the artistic creation of the stage lighting in combination with the young teacher’s version “Cherry Orchard” of the Central Academy of Drama.