书法,汉字文化最具特征的艺术,在面临“文化转型”时,它担负着承前启后的重任。今日书坛当急之务,不是书法如何创新,如何走向世界,如何走向市场,也不是要创作出多少精品。而仍是“拨乱反正”。为弘扬书法这一华夏优秀文化遗产,必须认真研究“重新继承”的问题。几十年来,我们失去的已经太多了,欢去的树木可以重裁,拆毁的殿堂可以重建,但精神的沦丧却是难 Calligraphy, the most characteristic art of Chinese character culture, in the face of “cultural transformation”, it assumes the pre-emptive task. Today’s book urgency, not calligraphy how to innovate, how to go to the world, how to market, nor how much to create the best. And still “chaos disorder anyway.” In order to carry forward the fine Chinese calligraphy heritage, we must seriously study the issue of “reintroducing”. For decades, we have lost too much, the trees we rejoice can be rescinded, the demolished temple can be rebuilt, but the spiritual loss is difficult