案头摆着厚厚一叠剧本,这是已故的湘剧表演艺术家彭俐侬与著名作家范正明合作的结晶体——古典名著《琵琶记》上下集改编本。我幻想过自己能在舞台上塑造出蔡伯喈的人物形象,因为我幼时习艺就学演过《赏荷》与《打三不孝》;我还幻想过红氍毹能展现自己编写的《琵琶记》改本,因为历史曾赋予我从事编剧工 The desk has a thick pile of scripts, which is the crystallization of the late Xiang Opera performer Peng Lixin and the famous writer Fan Zhengming - the classic “Pipa” adapted from the upper and lower sets. I fantasize that I could create the image of Cai Pei-kuan on the stage because I learned the concept of “rewards” and “filial piety” when I was a child. I also imagined that I could see the red pipa Remember "the change, because history has given me engaged in screenwriter