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本文试对代中国写意人物“彩墨画”探索中的主要倾向——以徐悲鸿为代表的写实“彩墨画”与以林风眠为代表的意象“彩墨画”的特点进行了比较,对于写实风格,意象风格及其发展、延伸形态的各自的特点进行了简单分析,以求对这两种主要趋向进行再认识。
This paper attempts to probe into the main tendencies in the exploration of the Chinese freehand “Colorful Ink and Wash Painting ” - comparing the realistic “colorful ink painting” represented by Xu Beihong with the image represented by Lin Fengmian “colorful ink painting ” , A brief analysis of the respective characteristics of the realistic style, the imagery style, and its development and extension forms is made in order to re-understand these two main trends.