今年1月,上海人民艺术剧院演出了苏联格鲁吉亚剧作家哈伊泽的两幕报道剧《三点到六点》。该剧采用生活纪实手法:在相当于生活时间三小时的演出时问内,一位市苏维埃执委会主席同时接见十四位来访者,地点就在市长的办公室里,基本符合“三一律”。演出说明书中介绍说:“它摄取生活中大量常见的现象,却又是精心结构,妙语如珠,在笑声中引起同情,引起眼泪,更引起深思。”我在观剧过程中的感受大致与此相符。但促使我写这篇短文的动机却并非来自这出戏本身,因此我不必过细地向读者介绍剧情,我更感兴趣的是这份说明书中的另几段话,文字不多,引述于后,因为这正是一个新信息。 In January of this year, the Shanghai People’s Art Theater performed two dramatic dramas “three to six” by the Soviet Georgia playwright Haizze. The play uses life documentary approach: In the equivalent of three hours of live performance time, a chairman of the city of Soviets Executive Committee also interviewed fourteen visitors, the place in the mayor’s office, basically in line with the “three one law”. The performance manual said: “It takes a large number of common phenomena in life, but it is well-structured, witty beads, causing sympathy in the laughter, causing tears, but also cause deep thought.” I feel in the process of watching the general In line with this. But the motivation that prompted me to write this essay did not come from the play itself, so I did not have to go down with the story to the reader, and I was more interested in the other passages of the book, with few words, Because this is exactly a new message.