日本的浮世绘美人画从中国仕女画中得到启示,从某种意义上说,我国的传统仕女画是浮世绘美人画的鼻祖,两者固然具有诸多相似之处,但随着时间的推移,在各自的民族文化中不断渗透进具有差异的意识形态和精神传统,这种在文化上的差异经过外化,表现在绘画形式语言和艺术风格上,其差异是必然的。 Japan’s ukiyo-e-painting draws enlightenment from the Chinese ladies ’paintings. In a sense, the traditional ladies’ painting of our country is the originator of the ukiyo-e painting beauty. Although they have many similarities, as time goes on, In their respective national cultures, they have constantly infiltrated the ideological and spiritual traditions with differences. This difference in culture has been externalized and manifested in the formal language and artistic style of painting. The differences are inevitable.