“无论是作为悲剧,还是作为喜剧.历史都不会重演。”——塔里克·阿里(引自《1 968年反叛的年代》)历史是我们无权选择的!在王煜宏的作品中不断弥漫的是“瓷器,毛和影像”.这些看似没有关系的破碎的偶然.这些碎片化了的历史.组成了作者的现象世界。康德早在《纯粹理性批判》中就将世界划分成为“现象”世界以及“自在之物”世界,认为“时间.空间以及经历纯粹知性概念整饬的感性质料的有机统一整体构成‘现象’世界.知性可以认识‘现象’世界”。它们有如无数个横截面,又像显微镜下的细小切片一样.容纳了微不足道的现实.暧昧不清的空间与自由的穿 “- Taliq Ali (quoted in” The Rebellion of 1968 “) History is what we have no choice! In the works of Wang Yuhong Among the seemingly irrelevant broken bits and pieces, these fragmented histories make up the author’s phenomenal world. As early as in Critique of Pure Reason, Kant divided the world into a world of ”phenomenon “ and ”world of things ", and considered the integration of the time, space, and sensual material under the concept of purely intellectual integrity as a whole ’Phenomenon’ world, intellectuality can know ’phenomenal world’. They are countless cross-sections, like tiny slices under the microscope, accommodating the slightest reality. Ambiguous space and free wear