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在中国历史上的商、周时代,属于奴隶制社会,其文化发展以青铜器为主要特征.青铜器在其形制、纹饰上都具有鲜明的时代色彩和强烈的民族艺术风格.本着“古为今用”的文艺方针,探求其艺术规律,吸取其精英,无疑有利于我国新的美术发展.本文拟引周原地区出土的西周青铜器为例,注重其纹饰艺术,提出一些粗浅的看法.(一)周原与铜器遗存关于周原出土西周青铜器的由来,首先应从西周发展谈起.周人最初发源于夏末,当时有姬姓部落,在泾、渭流域劳动生息.即从后稷开始近入重视农业生产,过渡到父系氏
In the history of China, the Shang Dynasty and the Zhou Dynasty belong to the slavery society, and their cultural development is mainly characterized by bronzeware.The bronzeware has distinctive times colors and strong national art style in its shape and decoration.According to “ ”To explore its artistic rules and learn from its elite, undoubtedly conducive to the development of new art in our country.This article will take the Western Zhou Dynasty bronze ware unearthed in Zhouyuan as an example, pay attention to its decorative art, put forward some superficial views. Zhouyuan and Bronze Remains About the origin of Western Zhou bronzes unearthed in Zhouyuan, we should start with the development of Western Zhou Dynasty. Zhou people first originated in late summer when Ji Xing tribes lived and worked in Jing and Wei rivers, that is, starting from Houji The emphasis on agricultural production, the transition to the father’s family