巴赞认为,人的潜意识中有一种所谓的“木乃伊情结”,人们总是倾向于把经历过的生活尽可能真实完整地记录下来,仿佛是给时间涂上香料,如木乃伊一般,使之免于腐蚀。他认为电影这个概念与完整无缺地再现现实是统一的,电影所想像的就是再现一个声音、色彩、立体感等一应俱全的外部世界的全景。在巴赞的时代,电影的纪实性得到前所未有的发展,电影以其特殊的视听手段使重现现实成为任何个人或媒介都无法代替的最有效手段。电影的写实功能也得到确立。一部电影的真实性代表着和观众之间的共鸣,也代表着电影的生命力,是电影存在的意义。 Barzan believes that there is a so-called “mummy complex” in subconsciousness. People always tend to record their experiences as truly and completely as if they were time-spice-like mummies Corrosion. In his opinion, the concept of cinema is unifying with the complete reproduction of reality. What the film imagines is a panoramic view of an external world full of sound, color and three-dimensional. In the days of Bazin, the film’s documentary development has been on an unprecedented scale. With its special audiovisual means, films make reproduction of the reality an irreplaceable and most effective means of any individual or media. The film’s realistic function has also been established. The authenticity of a movie represents the resonance with the audience, also represents the vitality of the movie, is the meaning of the existence of the movie.