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大约15年前,纪实美学风潮对中国的电视创作领域产生了很大影响,在随后10年里,诞生了一大批优秀的纪录片和纪实性电视节目,打破了画面加解说一统天下的局面。纪实美学不仅从观念上激发人们重新认识电视,对诠释大于纪录的创作理念作了修正,而且将电视从对大众的俯瞰,拉向与平民比肩。然而,当纪实节目从导入走向普及以后,人们的认识也滑向了另一极端:电视节目就是对“物质现实”的复原。特别是技术的更新,使更多的人坚信,电视的本质特点就是直接纪录。这种认识,导致了20世纪90年代中期以后,我国电视纪录片
About 15 years ago, the trend of documentary aesthetics had a great impact on the field of television creation in China. In the following 10 years, a large number of excellent documentaries and documentary television programs were born, breaking the picture and explaining the world domination. Documentary aesthetics not only inspires people to re-recognize the concept of television, interpretation of the concept of creation is greater than the record has been amended, and the television from the public view, and shoulder to shoulder with civilians. However, as documentary programs have become more popular since their introduction, people’s awareness has also slipped to the other extreme: television programs are about the restoration of “material reality.” In particular, the update of technology has convinced more and more people that the essential feature of television is direct recording. This understanding led to our television documentary since the mid-1990s