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中国近现代音乐史学家、上海音乐学院教授、博士研究生导师陈聆群先生从上世纪60年代起就致力于中国近现代音乐史的研究,近半个世纪的潜心钻研,陈先生不仅著作等身,为中国近现代音乐史的研究积累了相当丰富的经验,而且为该学科的建设和发展做出了自己的贡献。本文选择陈聆群先生有关音乐史研究方法方面的三篇文章为例,从史料处理的角度、以读后记的形式归纳总结了陈先生搜集、整理、利用音乐史料的各种做法及观点,以期引起致力于音乐史研究的同行们对音乐史料的重视,并为今后的相关研究提供方法上可资借鉴的经验。
Chinese modern music historian, Shanghai Conservatory of Music professor and doctoral tutor Mr. Chen Congqun since the 60s of last century dedicated to the study of Chinese modern music history, nearly half a century of painstaking research, It has accumulated a wealth of experience for the study of the history of modern and contemporary Chinese music and has made its own contribution to the construction and development of this discipline. This article chooses Mr. Chen Hequn’s three articles about the research methods of music history as an example. From the perspective of historical data processing, this paper summarizes various ways and opinions of Mr. Chen in collecting, sorting and using music historical materials in the form of reading postscript Arouse the colleagues who devote themselves to the study of music history to attach importance to the historical data of music and provide the methodological experience that can be borrowed for the related research in the future.