吴品禾自述--我的创作素材主要源于浙江丽水山区的风土人情,我是喝瓯江水长大的,我希望通过摄影作品能够充分地表达出我对家乡故里深沉的爱,表达出对父老乡亲深厚的情。我认为一个艺术家应该有一种现实的责任感,作品不仅要给人美感,还应该通过自己的创作推动社会发展,尽管这种力量是很微弱的。摄影艺术的构思,一般不是在长期反复的想象和虚构中完成的,而是体现在直观现实形象的过程中,这就对摄影艺术家在认识、体验、积累生活方面较之于其它门类艺术家提出了更高的要求。摄影创作应该多跑多拍,但更重要的是多思。一个摄影艺术家是一味寻求机遇、等待机遇,还是在观察熟悉了生活之后去发挥题材、去开拓新的意境,去寻求和创造新的表现方法呢,我认为,可取的只有后者。我们应该有在别人司空见惯的事物中寻找美的眼力,应该有一双不断求新的眼睛,而这,只有靠不断地思考,不断地提高对生活的理解能力和观察能力才能得到,所以我把“思考是创作的灵魂”作为自己的座右铭。艺术创作上的任何创新都是对原有模式的突破。突破固定模式重要的是思考,唯有思考才能分析出自己的不是,赋予作品新意。所以这里所说的思考,并不是构思时间的长短,而是对固定的创作模式和呆板的创作心里自觉地进行否定,对创作不断进行探索。现实主义的创作方法具有强大的生命力,然而应该发展、变化,不断吸收新的营养,才能保证这种创作方法永远年轻。形式应该根据内容来决定,但是,在摄影创作过程中,形式的感受往往会更强烈地刺激作者,引起作者的联想,促使作者通过这种形式去表达它的内容,从而使作品的主题和内容得到进一步的深化,上升到一个更高的阶段。我们的现实主义摄影艺术应该是开放的,而不是封闭型的,应该给作者更多的想象余地。多年的创作活动,使我养成了一些创作习惯,每当我举起相机时都会提醒自己四个字:对比、处理。我认为一件摄影作品,如果没有对比就没有摄影趣味,没有艺术效果,也就失去了艺术魅力;如果没有处理,就没有艺术概括。一句话,没有对比和处理,也就没有艺术性。 Wu Pinhe’s self-introduction - My creative material is mainly originated from the local customs and practices of Lishui Mountain in Zhejiang Province. I grew up drinking Oujiang River. I hope that through photography I can fully express my deep love for my hometown, Deep feeling I think an artist should have a realistic sense of responsibility. Works should not only give people a sense of beauty, but should also promote social development through their own creation, though such forces are very weak. The concept of photographic art is generally not completed in long-term and repeated imagination and fiction, but in the process of visual reality, which provides the photographic artist with the ability to recognize, experience and accumulate life in comparison with other categories of artists higher requirement. Photography creation should run multiple shots, but more important is to think of it. A photography artist blindly seek opportunities, wait for opportunities, or observe the familiar life to play a theme, to explore new mood, to seek and create new performance methods, I think, it is desirable only the latter. We should look for the beauty of the eyes from things common to others. There should be a pair of eyes constantly seeking new ideas. Only by constantly thinking about and constantly improving our understanding and observation of life can we get the “ Thinking is the soul of creation ”as its motto. Any innovation in artistic creation is a breakthrough in the original model. Break through the fixed pattern is important to think about, only thinking can analyze their own is not, give the novelty of the work. Therefore, the thinking here refers not to conceive the length of time, but to consciously negate the fixed creative mode and the rigid creative mind and constantly explore the creation. Realistic method of creation has strong vitality, however, should develop, change, continue to absorb new nutrients, in order to ensure that this method of creation is always young. The form should be decided according to the content. However, in the process of photography creation, the feeling of form tends to stimulate the author more strongly, arouse the association of the author and urge the author to express its contents in this way, so that the theme and content of the work Get further deepened, rose to a higher stage. Our realistic photographic art should be open, not closed, should give the author more imagination. Years of creative activities, so I developed a number of creative habits, whenever I raise the camera will remind myself four words: contrast, handling. I think that a photographic work without photography has no photographic interest, no artistic effect, and no artistic charm. Without it, there is no artistic summary. A word, there is no comparison and treatment, there is no artistic.