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魏碑作为碑学书法的一部分在清代得到许多书家的关注,他们从理论和实践上都慢慢接受了传统帖学之外的魏碑,表现出强大的开拓精神和包容性。本文以《张猛龙碑》在清代的接受情况作为个案,来探讨魏碑被清代书家接受的一般途径,并借鉴他们在接受魏碑过程中所做的各种探索,以期能给当下的书法学习带来一些启发。
As a part of inscription calligraphy, Wei Bei received the attention of many calligraphers in the Qing Dynasty. They gradually accepted both the theory and the practice of Wei Bei, which is not only the traditional calligraphy but also showed great pioneering spirit and inclusiveness. Taking the acceptance of Zhang Menglong monument in the Qing Dynasty as a case study, this article explores the general ways in which Wei Bei was accepted by the Qing Dynasty scholar and draws on the various explorations they have made in the process of accepting Wei Bei, in order to give current calligraphy learning Bring some inspiration.