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中国的曲艺多种多样,历史久远,萌芽于民间,发展于民间,扎根于民间,深受广大群众的喜爱。大同数来宝便是这样一种方言曲艺。大同数来宝这种曲艺形式主要是柴京云和柴京海两兄弟利用大同方言进行创作,同时结合表演的方式呈现给观众。尽管它发展只有三十多年的历史,但深受大同及周边地区群众的欢迎。本文通过对大同数来宝的语音、词汇两方面研究来挖掘这种独特的曲艺形式所渗透的大同方言特色,并且进一步了解这种曲艺形式所透视出的文化内涵。
China’s folk art is diverse and has a long history, sprouting in the folk and developing in the folk, rooted in the folk, and deeply loved by the masses. Datong Lai Po is such a dialect folk art. Datong number to this form of folk art mainly Chai Jingyun and Chai Jinghai two brothers using the Datong dialect creation, combined with the performance presented to the audience. Despite its history of only thirty years, it has been well received by people in and around Datong. In this paper, we study the characteristics of the Datong dialect infiltrated by this unique folk art form through the study of the phonetics and vocabulary of the datong in Datong and further understand the cultural connotations revealed by this folk art form.