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意大利进入18世纪,国力日衰,由于外国势力的干涉,国內继续保持着分裂的局面.18世纪,巴洛克艺术日趋衰落.在分裂割据的局面下,各地的艺术风格也是不统一的,在罗马,主要是以古典主义为主;在北意各地还继续保持着强大的现实主义力量。北意,特别是威尼斯当时在政治、经济上还有一定的实力,由于和中近东有经济贸易往来,社会还是比较繁荣的,除此之外,在北意向来有着较为强大的现实主义艺术传统,丁托列托、巴莎诺、卡拉瓦乔的传统影响是不可忽视的.由于有以上的原因,在北意地区继续保持着艺术的繁荣,现实主义艺术能够得到继续发展,也就不奇怪了.18世纪法国罗可可艺术虽然
As Italy entered the 18th century, its national strength was declining, and due to the intervention of foreign forces, the country continued to maintain a split situation. In the 18th century, Baroque art was in decline. Under the situation of splittism, the artistic styles of various places were also not uniform. , Mainly dominated by classicism, and continued to maintain a mighty realist force in various parts of North Italy. Northern Italy, especially Venice, was still politically and economically powerful at that time. In addition, with the economic and trade exchanges with the Middle East and the Near East, the society was still relatively prosperous. In addition, there was a strong tradition of realistic art in the North intentions. , The traditional influence of Tintoretto, Bassano, and Caravaggio can not be neglected.Because of the above reasons, it is not surprising that the art of prosperity will continue in Northern Italy and the art of realism can continue to develop The 18th century French Rococo art though