《家有儿女》持续热播,《家有爹娘》又登上荧屏。《家有儿女》写的是成长中的烦恼与欢乐,《家有爹娘》给我们揭示的是传统向现代转换中的冲突与对接。两个戏都是现实题材家庭伦理剧创作中可喜的新收获。在我看来,《家有爹娘》写的其实是一个当代中国父子之间由和谐走向冲突、最终又在更高的层次 “Families have children” continue to hit, “family father and mother” and boarded the screen. “Children at Home” write about growing troubles and joy. What “family-owned father and mother” reveals to us is the conflict and connection between the tradition and the modern transformation. Both plays are a welcome new achievement in the creation of family ethics drama. In my opinion, what the “family father and mother” wrote is actually a shift from harmony to confrontation between father and son in contemporary China and finally to a higher level