匆匆赶路回家的行人身影投射在红白相间的车皮上,在对角线构图的大格局下,形成冷与暖的对照。已然登车的旅客有些百无聊赖的身影,透过车窗映入镜头。两组关联紧密的旅客,以完全不同的形态显现在同一画面上,不仅丰富了内容,增加了趣味,而且拓展了影像的表现空间,给人更多的画外联想。摄影者细微地观察,发现了巧妙的角度,利用午后的光线和影子,营造了风尘仆仆又思乡心切的返乡者形象。无论是旅客的影子,还是透过进站台阶扶栏的阳光照射着的车内两位旅客的脸庞和身影,都成为画面不可或缺的重要元素,而车皮的红色则在一定程度上刺激着人们的视神经,提醒着我们春运形势的严峻。 Hurriedly hurry back home pedestrians cast in the red and white wagon, in the diagonal composition of the big pattern, the formation of cold and warm contrast. Already boarding passengers some bored figure, through the windows into the camera. The two groups of closely-related travelers appear on the same screen in completely different forms, which not only enriches the content and enhances the fun but also expands the performance space of the image and gives more pictures to the outside world. The subtle observation of the photographer and the ingenious discovery of the light and shadow of the afternoon created an image of a homeless person who was always on the go. Both the shadow of the passengers and the faces and figures of the two passengers in the car illuminated by the sunshine of the entering steps have become an indispensable and important element of the picture while the red color of the wagon stimulates to a certain extent People’s optic nerve, reminds us of the grim situation of the Spring Festival.