20世纪初,一批政治家公开树起了“美术革命”的旗帜,这种充满革命精神而又失之偏颇的号召,以时代性的否定传统和西化倾向成为了20世纪中国画发展的基本倾向。以徐悲鸿为代表的革新派大都用科学主义的观念表现客观世界;以金城为代表的传统派则延续古法写生,亦有所发展。中国画呈现出“继承”与“革新”两种倾向并向前发展。 At the beginning of the 20th century, a group of politicians openly raised the banner of “art revolution ”. This call for full revolution and partiality turned into the development of Chinese painting in the 20th century with the negative tradition of the times and the tendency toward westernization Basic tendency. The reformists represented by Xu Beihong mostly used the concept of scientism to express the objective world. The traditional school represented by Jincheng continued the sketch of ancient law and also developed. Chinese painting shows both “inheritance” and “innovation” and develops forward.