《色·戒》中的王佳芝和《洛丽塔》中的洛丽塔都是现代文学中鲜明生动的女性形象,同时代表了评家较少关注的童女(child-woman)群体。童女身上那种停滞、凝止的美感使其成为男性肉体猎逐和审美消费的对象,而她们自己也有意无意地迎合了男性的这种性别消费心理,通过自我妓女化色情化的女性扮演,试图解放自身的欲望和行动力,从而到达自我建构和自我强化的目的,然而这种扮演违背了人性,使其灵魂和肉体承受了极大的扭曲与异化,最终导致了她们的堕落与毁灭。本文从童女自身角度切入,揭示其悲剧根源,洞开一个女人何以成为女奴的内心世界。 Both Wang Jiazhi in Lust and Caution and Lolita in Lolita are vivid images of women in modern literature and represent the child-woman group with less attention by critics. The stagnant, estranged aesthetics of the virgins makes them the object of male physical hunting and aesthetic consumption, and they consciously or unconsciously cater to the gender-based psychology of men, acting as eroticized women by themselves, Trying to liberate their own desires and actions so as to achieve the purpose of self-construction and self-strengthening. However, this play runs counter to human nature and causes great distortions and alienations to its soul and body, ultimately leading to their fall and destruction. This article from the virgin’s own perspective, revealing the root causes of its tragedy, opening a woman why become the inner world of the slave.