指头画作为一种特殊的中国画创作手法,别开生面,不仅丰富了我国传统绘画艺术的形式,也为传统绘画技法的创新注入了活力。用手指作画的个案自唐代便已出现,明末清初之际,以吴韦、傅山为代表的画家在指头画创作上取得不俗成就。清康雍年间,高其佩精研指画,勤奋创作,成就卓著,其追随众多,影响深远,后世将之统称为“指头画派”。近代以来,又陆续涌现出了潘天寿、钱松喦等指画大家,成就突出。而当代指画创作和研究也方兴未艾,指头画家和指画研究者遍及大陆和港台地区,在日本、美 Finger painting, as a kind of special technique of Chinese painting creation, is not only vivid, it not only enriches the form of Chinese traditional painting art, but also infuses vitality into the innovation of traditional painting techniques. The cases of finger painting have already appeared since the Tang Dynasty. From the late Ming Dynasty to the early Qing Dynasty, the painters represented by Wu Wei and Fu Shan made remarkable achievements in finger painting. Qing Kang Yong years, Gao Qipei fine fingerprinting, hard-working creation, outstanding achievements, which follow many, far-reaching impact, later referred to as “finger painting school.” Since the modern times, Pan Tingshou and Qian Song-yan have also emerged one after another, with outstanding achievements. The contemporary finger painting creation and research is also in the ascendant, finger painter and finger painting researchers across the mainland and Hong Kong and Taiwan in Japan, the United States